Uncovering the past: a review of Ruth Höflich’s ‘Plant (879 Pages, 33 Days)’ — Film Friday
A subtly impactful short film which comes highly recommended.
Misandric Marmite: a review of Su Hui-Yu’s ‘The Women’s Revenge’ — Film Friday
This film immediately struck me as feminist by design, with, if I may say, undertones of misandry.
‘Keeping on’: a review of Simon Liu’s ‘Happy Valley’ — Film Friday
Simon Liu’s ironically titled, Happy Valley, is a film about his native Hong Kong and its attitude of perseverance in the face of adversity.
Short but crucial: a review of Basir Mahmood’s ‘Sunsets, Everyday’ — Film Friday
In Basir Mahmood’s film, we are given a meta-cinematic approach to the subject of domestic violence.
Expressionist filmmaking… on acid: a review of Mateo Vega’s ‘There Is A Ghost Of Me’ — Film Friday
Watching the introduction to Mateo Vega’s There Is A Ghost Of Me was like revisiting German Expressionist filmmaking, albeit on acid.
A much deeper meaning: a review of Eva Giolo’s ‘Flowers Blooming In Our Throats’ — Film Friday
I took the message of the film to be that, naturally, domestic abuse needs to be rid of its anonymity.
IFFR 2021: a 50th anniversary film feast for both the eyes and the ears — Film Friday
The IFFR has become one of the largest audience and industry-driven film festivals in the world, and is always at the cutting edge in terms of its output.